Dating fender bassman silverface
As a result, there are a lot of amps out there that may look original, but are not. These have not been observed or reported so the answer remains unknown. His passing is a great loss to this research team and the Fender amp aficionado community in general. The revised amp had 14 coupling caps and there may have been upwards of made. For now, the dating schemes for these series are: The amps that received the stamped suffix must also be added to this sub-total. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well.
The following charts are the revised dating tables for Fender tube amps. First, a foil sticker containing a 4-digit serial number was affixed to the chassis over the A Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. The bottom line is to do your homework or enlist the aid of an expert. The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. This was the first year for the blonde 6G9 Tremolux. Rather than waste those 8-ohm output transformers in stock from previous 6G6 production, Fender used them up on the first 6G6-A with 4-ohm speaker cabinets. For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps. It would have been very costly to destroy these units so two remedies were implemented. Well, for the 4-digit serials affixed on a foil sticker, numbers as low as and has high as have been observed. The second thing that was done was the addition of another number stamped into the chassis as a suffix to the A serial number, e. Paul worked with Greg on their small box brown Twin myth busting research and is extremely knowledgeable about Fender amps in general with a specialization in the brown and blonde amps. The machine that stamped the serial number into the back of the chassis got stuck on number A and a lot of pieces were stamped with this number. Unfortunately, there is some sad news to report as well. Some tables changed very little and others changed quite a bit. Since , more interesting factoids of interest have surfaced and are presented here. Some things are very obvious such as non-original or reconed speakers, non-original transformers, replaced pots, re-tweed, re-tolex, re-grill, etc. Assuming they were all used sequentially and starting at , there would be around non-master volume silverface Twin Reverbs and Dual Showman Reverbs out there. These modifications are making this research more difficult for a couple of reasons. Greg kept his illness very private, even from this author. The amps that received the stamped suffix must also be added to this sub-total. The best estimate is that about of these were made before the circuit was revised. Since these amps are so rare, it is impossible to comment on the technical or tonal differences between the two circuits. Yes, Fender went with a deliberate mismatch, not unlike the 3x10 brown Bandmasters that shipped with 8-ohm output transformers. To make things more interesting, there were two versions of the 6G9 6BQ5 circuit. Assuming the suffixes started with and went to , there would be around of these floating around.
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